Demedash T-60 Analog Modulator - Stamped Edition
Demedash T-60 Analog Modulator - Stamped Edition
Demedash T-60 Analog Modulator - Stamped Edition
Demedash T-60 Analog Modulator - Stamped Edition

Demedash T-60 Analog Modulator - Stamped Edition

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Demedash T-60 Analog Modulator - Stamped Edition. Mint condition with box 

Full Analog Vibrato Chorus & Flange

Instantly overlay a worn-out layer of stretched tape to your playing. Let it wander.  Let the years in the attic speak for themselves. Crinkles, wear and instability add character.  Get lost in the lush stereo output.
The T-60 combines the gorgeous sound of a classic analog BBD device with the as-of-yet unseen possibilities granted by generating modulating waveforms via digital means. Chorus, Vibrato, Flange and much more are on tap, and the ways you can bend the pitch of the wet path are almost unending.

One of the most feature-packed, compact modern analog chorus pedals yet created, the "T-60" doesn't take any half-measures. And a fully analog signal path means that your signal is never digitized - all effects are applied via analog means.

Companding & careful filtering ensure that the noise floor is kept low without making the effect sound muffled.

The "T-60’s" true powerhouse is its microcontroller brain and meticulously crafted and digitally generated LFO.

Two LFOs are simultaneously generated - one is fully random, and the other is a mix of Sine and Triangle wave (the proportion of sine to triangle changes with the rate, to ensure the best possible sound at any speed).

Random: Lets you mix the two LFO outputs in any proportion you like. Fully CCW: Pure periodic LFO. A mix of Sine & Triangle waveforms, Perfect for a classic chorus or vibrato tones. Fully CW: Pure Random LFO. Ideal for atmospheric, motionless vibrato & chorus. With chop low, this gives the sound of stretched tape. With chop high, it yields the sound of a glitched out computer.

Chop applies a sample-and-hold effect to the periodic LFO, pixelating it and turning it into a staircase waveform - introducing little pitch jumps as the wave moves up and down. As you increase ‘Chop’, you decrease the smoothness of the Random LFO - turning it from a gliding, wavering signal into a sequence of randomly generated square levels.